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BPF XXVI Auditions
The BPF needs you to be a part of our 26th
Anniversary Season!
Sunday, April 15, 2007 (7:00 pm) - Chesapeake Arts Center - 194 Hammonds
Lane Brooklyn Park, Maryland 21225
Monday, April 16, 2007 (7:00 pm) - Fells Point Corner Theatre - 251 S. Ann
Street
Wednesday, April 18, 2007 (7:00 pm) - Mobtown Theatre - 3600 Clipper Mill Rd.
Those auditioning only need to attend only one audition session as the
theatre representatives from each of the theatres will be present at each of the
audition venues.
Please prepare a 2-minute monologue and bring 6 (six) copies of your headshot
and resume.
The Festival will be producing 9 different shows including one-acts and
full-length plays in theatres across Baltimore.
For additional information about the XXVI Festival, click above for theatre
schedules and play sketches.
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Production |
Character Breakdown |
Rudy Doo
by George Purefoy Tilson
directed by Jayme Kilburn |
- Alison - 20-late 20's. A natural beauty, with a
dancer’s grace.
- Rudy - 25-30. Athletic, but worn
around the edges.
- Vic* - 35-45. A man with cerebral
palsy.* He is in constant motion, due to his involuntary muscle
spasms. His speech is very labored.
- Man #1 - 40-50.
(Playing Vic’s father, Alison’s father, Rudy’s father,
narrator/chorus member). With striking good looks.
- Woman
#1 - 40-50 (Playing Vic’s mother, Alison’s mother, Rudy’s
mother, narrator/chorus member). With a face and figure that can
seem young and attractive one minute – and matronly the next.
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Man #2 - 35-45 (Playing Lester Andamo, Dave, the orderly,
Smitty, narrator, and chorus member). A large man.
- Woman
#2 - 50-70 (Playing Mrs. Teague, nun, the lady who buys
Rudy’s sexual services, narrator, and chorus member).
* Important note about the casting announcement: For the role of
Vic actors with physical disabilities, between the ages of 35-45, are
encouraged to audition.
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CYA
by Kimberley Lynne
directed by Carlos Del Valle |
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Touch of Spring
by Ben Logan
directed by Gordon Parks |
- Mary (Wife) - Age late thirties to late forties,
African-American.
- Mike (Husband) - Age late thirties to late forties,
African-American.
- Attendant - Age Thirty and over.
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Save Me
by Stephanie Zadravec
directed by Ian Belknap |
- Beth - 40s a born again Christian
- Caroline -
mid-late 30s, a New Yorker.
- Martin - 30s40s .
gay, flamboyant, must have impeccable comic timing.
- Rachel
- 17. Sullen, smart. has dyed her hair cherry red. note:
Actor should be willing to dye their hair for this role.
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Barbie: A Doll Her
by Terry Kenney
directed by Miriam Bazensky |
- Barbie 62 - Reminiscent of a Barbie doll made in 1962
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Barbie 88 - Reminiscent of a Barbie doll made in 1988
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Ken - Reminiscent of a Ken doll made in 1962
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Midge - Reminiscent of a Midge doll made in 1964
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Alan - Reminiscent of an Alan doll made in 1964
- Rod
- Reminiscent of Rod Serling
- Lexi - Female,
23 years old.
One actor may play Lexi, Barbie 88, & Midge
One actor may play Alan & Rod |
Perpendicular
by Joe Dennison
directed by Susan McCarty |
- Donna - 25ish smart, witty, angry, and a little
afraid,
- Buck - 25ish hard working class stiff stuck in his
ESPN ways, oblivious, wise ass
- Hoyt / Henry - (2
parts same actor, 25ish)
Hoyt dolt Henri -
almost as much the dolt as Hoyt but less edge more French -
Dahlia/ Doreen - (2 parts same actress, 25ish)
Dahlia -
ditz Doreen: levelheaded widow neighbor to Buck
- Little Bucky - (Never seen, Mike Moran already cast in
this role)
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Last Night at the Owl Bar
by Mark Scharf
directed by Randy Dalmas |
- Jonathan Caldwell - 40/50’s, recently divorced theatre
director/actor
- Rebecca Arnstein - 40’s/50’s recently widowed actress
- The All-Purpose Woman - 20’s to 50’s; depending
on the scene, MAX’s ex-girlfriend, ANNIE, a US State Department
agent, a waitress, JONATHAN’s ex-wife and an Eskimo.)
- The All-Purpose Man - 20’s to 50’s; depending on the
scene, he plays a waiter, a U.S. State Department agent, Deputy
Barney Fife, a French Waiter and an Eskimo, who turns out to be
REBECCA’s deceased husband, Sammy.
- Max - 40’s. JONATHAN’s roommate and ANNIE’s
recent boyfriend.
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The Blessed Mothers of War
by Ty DeMartino
directed by Barry Feinstein |
- Rosie, F – early 50s
- Brian, M – early
20s
- Carolyn, F – late teens, early 20’s
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Sally, F – early 20s
- Mark, M – early 20s
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Zaira, F – 50s, Arabic
- Chorus Member #1 -
M – 40’s, (preacher; Associated Press Reporter; judge)
- Chorus Member #2 - F – 40’s, (a Christian woman/book
shop customer)
- Chorus Member #3 - M – 40’s-50’s
(various military officers; prison guard)
- Chorus Member #4 - F – 40’s-50’s (a community
mother/Miss Wills)
- Chorus Member #5 - M – 40’s-50’s (a cynical former
vet; Muslim Broker; mail carrier; Raja)
- Chorus Member #6 - F – 30’s (an eccentric townsperson;
TV news reporter)
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Almost Vermilion
by Sonja Kinzer
directed by TBD |
- Clyde - Late 40's. A hard worker with a bully
mentality. His temper is often simmering on the surface as is his
ignorance.
- Dorothy - Early 40's. A plain attractive woman dutiful
to her role as wife and mother, enjoying the latter and bearing the
former. She is quietly resourceful in her ways and often gets her
say, even if it is under her breath.
- Henry - Age 15 (soon to be 16). A sensitive, mostly
sickly teenager suffering from a chronic cough. He is an artistic
prodigy...hardly useful in this small rural farming community.
- Junior - Age 22. The bullying kind. The meaner of the
two cousins. Junior has no respect for women or rules.
- James - Age 19. Not so intelligent and easily coerced
by his older brother Junior. He is also very ill-mannered.
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Doc Edwards - Late 40's. A kind gentle man who sees
through Clyde's bullying. He experienced it first hand back in high
school. Quiet warm feelings towards Dorothy and Henry.
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| Our festival is geared towards the
cultivation of new and diverse plays that showcase the skills of talented
Maryland writers. The public is invited to attend our meetings on the
third Tuesday of every month. Open readings are held September through
March. These readings will lead to on-stage productions in the summer
months by participating Maryland theatres. We encourage you, the
theatre going public, to join us for play readings, discussion and
critiques. |
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