|
BPF XXV 2006 (TWENTY-FIFTH
ANNIVERSARY)
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
Hope's Arbor |
Rich Espey |
Spotlighters |
Jayme Kilburn |
|
2nd |
Return of the Fifth Sister |
Kimberley Lynne |
Mobtown Players |
Ryan Whinnem |
|
3rd |
Split |
Ira Gamerman |
Uncommon Voices |
Ian Belknap |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Split |
Ira Gamerman |
Uncommon Voices |
Ian Belknap |
|
2nd |
Hope's Arbor |
Rich Espey |
Spotlighters |
Jayme Kilburn |
|
3rd |
Return of the Fifth Sister |
Kimberley Lynne |
Mobtown Players |
Ryan Whinnem |
|
BPF XXIV 2005
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
Cornered |
Rosemary Frisino Toohey |
Spotlighters |
C. Dan Bursi |
|
2nd |
Socks |
Rosemary Frisino Toohey |
Run of the Mill |
Kathleen Amshoff |
|
3rd |
Holidays In |
Jim Sheehan |
Run of the Mill |
Kathleen Amshoff |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Socks |
Rosemary Frisino Toohey |
Run of the Mill |
Kathleen Amshoff |
|
2nd |
Holidays In |
Jim Sheehan |
Run of the Mill |
Kathleen Amshoff |
|
3rd |
Blue Mermaid |
Mark Scharf |
FPCT |
Alex Willis |
|
BPF XXIII 2004
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
Partners |
Paul Bogas |
FPCT |
Sharon Weaver |
|
2nd |
Throne Builders |
Paul Bogas |
Uncommon Voices |
Miriam Bazensky |
|
3rd |
A Different Kind of Love |
Kathleen Barber |
Vagabonds |
Linda Chambers |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Partners |
Paul Bogas |
FPCT |
Sharon Weaver |
|
2nd |
A Different Kind of Love |
Kathleen Barber |
Vags |
Linda Chambers |
|
3rd |
In My Tribe |
Kimberley Lynne |
Mobtown Players |
Gareth Kelly |
|
BPF XXII 2003
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
50/50 |
Rich Espey |
Spotlighters |
Neal Freeman |
|
2nd |
Ella's Song |
Jim W. Cary |
FPCT |
Barry Feinstein |
|
3rd |
Hell Inc. |
Steven M. Klepper |
Spots |
Deborah Newman |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
50/50 |
Rich Espey |
Spotlighters |
Neal Freeman |
|
2nd |
Ella's Song |
Jim W. Cary |
FPCT |
Barry Feinstein |
|
3rd |
Turtle Soup |
Anne M. Lefter |
Uncommon Voices |
Miriam Bazensky |
|
BPF XXI 2002
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
Whispers of Saints |
Mark Scharf |
Uncommon Voices |
Miriam Bazensky |
|
2nd |
Amanda's Line |
Kathleen Barber |
Chesapeake Arts Ctr |
Momoe Nakamura |
|
3rd |
Watching Lotus Flowers Blossom |
Chuck Spoler |
Spotlighters |
Deborah Newman |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Whispers of Saints |
Mark Scharf |
Uncommon Voices |
Miriam Bazensky |
|
2nd |
Amanda's Line |
Kathleen Barber |
Chesapeake Arts Ctr |
Momoe Nakamura |
|
3rd |
Short Stops |
Michael Cookson |
Mobtown Players |
Dahlia Kaminsky |
|
BPF XX 2001
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st
The Carol Weinberg Award for Best Play |
Memorial Day |
Chuck Spoler |
Spotlighters |
Rodney Bonds |
|
2nd |
Seafood Buffet |
Rosemary Frisino Toohey |
FPCT |
Mike Moran |
|
3rd |
Anthem |
Joe Dennison |
Uncommon Voices |
Sharon Weaver |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Memorial Day |
Chuck Spoler |
Spotlighters |
Rodney Bonds |
|
2nd |
Seafood Buffet |
Rosemary Frisino Toohey |
FPCT |
Mike Moran |
|
3rd |
Freefall |
Mark Scharf |
Uncommon Voices |
Miriam Bazensky |
|
BPF XIX 2000
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
Juanita Bloom |
Rhonda Cooperstein |
Uncommon Voices |
Miriam Bazensky |
|
2nd |
Freedom Summer |
Carol Weinberg |
Vags |
Linda Chambers |
|
3rd |
Animal Instincts |
Rosemary Frisino Toohey |
Spotlighters |
Bob Bardoff |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Juanita Bloom |
Rhonda Cooperstein |
Uncommon Voices |
Miriam Bazensky |
|
2nd |
Freedom Summer |
Carol Weinberg |
Vags |
Linda Chambers |
|
3rd |
Four Scenes: A Hungarian Trilogy |
P.S. Lorio |
Mobtown Players |
Noel Schively |
|
BPF XVIII 1999
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
Snow |
Gordon Porterfield |
FPCT |
Lance Lewman |
|
2nd |
Caz |
Kathleen Barber |
Uncommon Voices |
Barry Fienstein |
|
3rd |
Keeping the Faith |
Carol Weinberg |
Spotlighters |
Bob Bardoff |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Snow |
Gordon Porterfield |
FPCT |
Lance Lewman |
|
2nd |
Caz |
Kathleen Barber |
Uncommon Voices |
Barry Fienstein |
|
3rd |
Urban Breakdowns |
Mimi Teahan |
Mobtown Players |
Ryan Whinnem |
|
BPF XVII 1998
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
The Bards of Scanton |
John Wallace Teahan |
FPCT |
Tony Galahan |
|
2nd |
Walk Like a Man |
Jim Cary |
FPCT |
Barry Feinstein |
|
3rd |
Mean Reds |
Mark Scharf |
Vags |
Bill Kamberger |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Mean Reds |
Mark Scharf |
Vags |
Bill Kamberger |
|
2nd |
Bards of Scranton |
John Wallace Teahan |
FPCT |
Tony Galahan |
|
3rd |
Walk Like a Man |
Jim Cary |
FPCT |
Barry Feinstein |
|
BPF XVI 1997
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
Every Susie and Sal |
Carol Weinberg |
Spotlighters |
Barry Feinstein |
|
2nd |
Breathe |
Mimi Teahan |
FPCT |
Sharon Weaver |
|
3rd
(tie) |
Back Room |
Michael Leicht |
FPCT |
Lili Liang |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Every Susie and Sal |
Carol Weinberg |
Spotlighters |
Barry Feinstein |
|
2nd |
Breathe |
Mini Teahan |
FPCT |
Sharon Weaver |
|
3rd |
The Blind Man's Children |
Kathleen Barber |
FPCT |
|
|
BPF XV 1996
|
|
|
|
|
|
Best
Play |
Play |
Playwright |
Theater |
Director |
|
1st |
Real Time |
Mimi Teahan |
FPCT |
Regi Davis |
|
2nd |
Chin Music |
Joe Dennison |
Spotlighters |
Devon Osborne |
|
3rd
(tie) |
Keeping it Aloft |
John Morogiello |
Vags |
Mike Moran |
|
|
Saint Sylvia |
Nan Kirchoff |
Spots |
Parvin Farhoody |
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Chin Music |
Joe Dennison |
Spotlighters |
Devon Osborne |
|
2nd |
Real Time |
Mimi Teahan |
FPCT |
Regi Davis |
|
3rd |
Saint Sylvia |
Nan Kirchoff |
Spotlighters |
Parvin Farhoody |
|
BPF XIV 1995
|
|
|
|
|
|
Best Play (Full Lengh)
|
Play |
Playwright |
Theater |
Director |
|
1st |
Canada |
Arnette Holloway |
FPCT |
Terri Ciofalo |
|
2nd |
The Lady from London |
Peter Levy |
Spotlighters |
Paul Campbell |
|
3rd |
Lemonaid |
Nan Kirchoff |
Spotlighters |
Sharon Rosen |
|
|
|
|
|
|
|
Best Production (Full Length)
|
Play |
Playwright |
Theater |
Director |
|
1st |
Canada |
Arnette Holloway |
FPCT |
Terri Ciofalo |
|
2nd |
The Lady from London |
Peter Levy |
Spotlighters |
Paul Campbell |
|
3rd |
Lemonaid |
Nan Kirchoff |
Spotlighters |
Sharon Rosen |
|
|
|
|
|
|
|
Best Play (One Act)
|
Play |
Playwright |
Theater |
Director |
|
1st |
Telling the Rents |
Vince Licata |
FPCT |
Carol Mason |
|
2nd |
Casting for the 6th Annual Evelyn
Lebrun Memorial First Play Contest |
Al Lefcowitz |
Vags |
Tim Crawford |
|
3rd |
Blue Interview |
Joe Dennison |
FPCT |
Lee Sapperstein |
|
|
|
|
|
|
|
Best Production (One Act)
|
Play |
Playwright |
Theater |
Director |
|
1st |
Telling the Rents |
Vince Licata |
FPCT |
Carol Mason |
|
2nd |
Blue Interview |
Joe Dennison |
FPCT |
Lee Sapperstein |
|
3rd |
Casting for the 6th Annual Evelyn
Lebrun Memorial First Play Contest |
Al Lefcowitz |
Vags |
Tim Crawford |
|
BPF XIII 1994
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
To Get to the Other Side |
Carol Weinberg |
Spotlighters |
Terri Ciofalo |
|
2nd |
From Vision to Inheritance |
Brian Klaas |
AXIS |
Brian Klass |
|
3rd |
Slower Delaware |
Mark Scharf |
Harbour |
Bill Kamberger |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
To Get to the Other Side |
Carol Weinberg |
Spotlighters |
Terri Ciofalo |
|
2nd |
Ghost Play One |
Steve Schutzman |
FPCT |
Rob Clingan |
|
3rd
(Tie) |
From Vision to Inheritance |
Brian Klaas |
AXIS |
Brian Klass |
|
|
Now Gotta Be Now |
Mark Walston |
Vags |
Laura Sligh |
|
BPF XII 1993
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
Camisado |
Kathleen Barber |
FPCT |
Robert Clingan |
|
2nd |
Quackenbush |
Joe Dennison |
Vags |
Denise Ratajczak |
|
3rd |
Give Back the Light |
Patricia Plante |
Spotlighters |
Barry Feinstein |
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
Camisado |
Kathleen Barber |
FPCT |
Robert Clingan |
|
2nd |
Quackenbush |
Joe Dennison |
Vags |
Denise Ratajczak |
|
3rd |
Give Back the Light |
Patricia Plante |
Spotlighters |
Barry Feinstein |
|
BPF XI 1992
|
|
|
|
|
|
Best Play
|
Play |
Playwright |
Theater |
Director |
|
1st |
Brief Candle |
Kimberly Lynne |
Vags |
Chris Garretson |
|
2nd |
The Dark Eyes |
Kathleen Barber |
FPCT |
Barry Fienstein |
|
3rd |
Albert Einstein Never Sang at the Met |
Mark Berman |
Spotlighters |
|
|
|
|
|
|
|
|
Best Production
|
Play |
Playwright |
Theater |
Director |
|
1st |
A Short Simple Stay |
Joe Dennison |
FPCT |
Karen Friedland |
|
2nd |
Brief Candle |
Kimberly Lynne |
Vags |
Chris Garretson |
|
3rd |
The Dark Eyes |
Kathleen Barber |
FPCT |
Barry Fienstein |
|
|
|
|
|
|
